Neoteric 2022
Articles
Artlink
Neoteric: when artists move in - Belinda Howden
InReview - InDaily
Neoteric is testament to the resilience of SA’s visual artists - Jane Llewellyn
To Be Magazine
The Artists are In Charge: Anna Horne and Henry Jock Walker talk Neoteric
City Mag
Behind the art of Neoteric
Glam Adelaide
SA’s most lauded artists take over the Adelaide Railway Station - Gretta Condon
On the Record
What’s on in March: the penny pincher edition - Visual Art
Neoteric Exterior, Northeastern concourse, Adelaide Railway Station
Neoteric Exterior, Northeastern concourse, Tamara Baillie, The End of All Our Exploring, 2022
Neoteric Exterior, Northeastern concourse, Adelaide Railway Station
Brad Darkson, Make Yourself Comfortable II, 2022
CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022
CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022; Age of the Pyrocene (Base Camp), 2019-2020; Age of the Pyrocene (The Witnesses), 2020-2022
Will Nolan , Tank and Text, 2022. Gus Clutterbuck, Sticks and Stones, 2021-22. CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022. Honor Freeman, and the tide rises, the tide falls, 2022. Brad Darkson, Make Yourself Comfortable II, 2022.
Honor Freeman, and the tide rises, the tide falls, 2022
Honor Freeman, and the tide rises, the tide falls, 2022
CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022. Honor Freeman, and the tide rises, the tide falls, 2022. Brad Darkson, Make Yourself Comfortable II, 2022.
Deborah Prior, Easter in the Anthropocene, 2021-22; Pastoral Apocalypse, 2021-22; Squatter Blanket #2, 2020; Fleece, 2010-2022. Gus Clutterbuck, Sticks and Stones, 2021-22. Will Nolan, Tank and Text, 2022. CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022; Age of the Pyrocene (Base Camp), 2019-2020.
Will Nolan, Bored - Horny, 2022. Tamara Baillie, The End of All Our Exploring, 2022. Deborah Prior, Easter in the Anthropocene, 2021-22; Pastoral Apocalypse, 2021-22; Squatter Blanket #2, 2020; Fleece, 2010-2022. Gus Clutterbuck, Sticks and Stones, 2021-22. Will Nolan, Tank and Text, 2022.
Deborah Prior, Pastoral Apocalypse, 2021-22. Tamara Baillie, The End of All Our Exploring, 2022. Will Nolan, Tank and Text, 2022. Heidi Kenyon, We shall by morning inherit the earth, 2022. Gus Clutterbuck, Sticks and Stones, 2021-22. CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022; Age of the Pyrocene (Base Camp), 2019-2020. Honor Freeman, and the tide rises, the tide falls, 2022. Bridget Currie, The little door, 2021-22.
Deborah Prior, Easter in the Anthropocene, 2021-22. Tamara Baillie, The End of All Our Exploring, 2022. CJ Taylor, Age of the Pyrocene (Base Camp), 2019-2020. Honor Freeman, and the tide rises, the tide falls, 2022. Brad Darkson, Make Yourself Comfortable II, 2022. Bridget Currie, The little door, 2021-22.
Bridget Currie, The little door, 2021-22.
Bridget Currie, The little door (detail), 2021-22.
Gus Clutterbuck, Sticks and Stones, 2021-22. Deborah Prior, Easter in the Anthropocene, 2021-22; Pastoral Apocalypse, 2021-22; Squatter Blanket #2, 2020; Fleece, 2010-2022. Will Nolan, Tank and Text, 2022. Heidi Kenyon (exterior view-work inside curtains) We shall by morning inherit the earth, 2022.
Bridget Currie, The little door, 2021-22. Cynthia Schwertsik with Dave Laslett, Current Affairs Tableau Vivant, 2021-2022. Tamara Baillie, The End of All Our Exploring, 2022. Will Nolan, Series of 7 portraits, 2022. Gus Clutterbuck, Sticks and Stones, 2021-22. Deborah Prior, Easter in the Anthropocene, 2021-22.
Tamara Baillie, The End of All Our Exploring, 2022.
Will Nolan, Tank and Text, 2022.
Will Nolan, Bored - Horny, 2022; Series of 7 portraits (Cusp, In-between, Oscillate, Brink, Threshold, Becoming, Hover); Gus Clutterbuck, Sticks and Stones, 2021-22. Deborah Prior, Easter in the Anthropocene, 2021-22. Will Nolan, Tank and Text, 2022.
CJ Taylor, Age of the Pyrocene (This Little Paradise), 2020-2022; Age of the Pyrocene (Base Camp), 2019-2020; Age of the Pyrocene (The Witnesses), 2020-2022
CJ Taylor, Age of the Pyrocene (The Witnesses), 2020-2022.
CJ Taylor, Age of the Pyrocene (The Witnesses), 2020-2022.
Deborah Prior, Easter in the Anthropocene, 2021-22; Pastoral Apocalypse, 2021-22; Squatter Blanket #2, 2020; Fleece, 2010-2022.
Gus Clutterbuck, Sticks and Stones, 2021-22. (background) Deborah Prior, Easter in the Anthropocene, 2021-22.
Tamara Baillie, The End of All Our Exploring, 2022. Gus Clutterbuck, Sticks and Stones, 2021-22. CJ Taylor, Age of the Pyrocene (Base Camp), 2019-2020.
Deborah Prior, Easter in the Anthropocene, 2021-22. Tamara Baillie, The End of All Our Exploring, 2022. Gus Clutterbuck, Sticks and Stones, 2021-22. CJ Taylor, Age of the Pyrocene (Base Camp), 2019-2020. Honor Freeman, and the tide rises, the tide falls, 2022. Brad Darkson, Make Yourself Comfortable II, 2022. Bridget Currie, The little door, 2021-22.
Heidi Kenyon, We shall by morning inherit the earth, 2022.
Heidi Kenyon, We shall by morning inherit the earth, 2022.
Heidi Kenyon, We shall by morning inherit the earth, 2022.
Heidi Kenyon, We shall by morning inherit the earth, 2022.
Will Nolan, Bored - Horny, 2022. Will Nolan, (series of 7 portraits), 2022 (Cusp, In-between, Oscillate, Brink, Threshold, Becoming, Hover)
Cynthia Schwertsik with Dave Laslett, Current Affairs Tableau Vivant, 2021/2022. Will Nolan, Bored - Horny, 2022. Will Nolan, (series of 7 portraits), 2022 (Cusp, In-between, Oscillate, Brink, Threshold, Becoming, Hover) Tamara Baillie, The End of All Our Exploring, 2022. Gus Clutterbuck, Sticks and Stones, 2021-22.
Bridget Currie, The little door, 2021-22. Honor Freeman, and the tide rises, the tide falls, 2022. Brad Darkson, Make Yourself Comfortable II, 2022.
Bridget Currie, The little door, 2021-22.
Sue Kneebone, Pyrolysis, 2022.
Sue Kneebone, Pyrolysis, 2022.
Sue Kneebone, Pyrolysis, 2022,
Deidre But-Husaim, The Between, 2022.
Deidre But-Husaim, The Between, 2022.
Deidre But-Husaim, The Between, 2022.
Lara Tilbrook, Stop, 2022.
Laura Wills, Community Tree Portrait, 2022. Darren Siwes, The New Aboriginal Lands of Australia: nineteen two eighteen thirty six, 2022; Terra Aboriginalis, 2022. Lara Tilbrook, Stop, 2022.
Henry Jock Walker, 12/3=4, 2022. (background) Deidre But-Husaim, The Between, 2022.
Ray Harris, When ghosts move in, 2022. Deidre But-Husaim, The Between, 2022. Henry Jock Walker, 12/3=4, 2022.
Darren Siwes, The New Aboriginal Lands of Australia: nineteen two eighteen thirty six, 2022; Terra Aboriginalis, 2022.
Laura Wills, Community Tree Portrait, 2022.
Henry Jock Walker, 12/3=4, 2022. Ray Harris, When ghosts move in, 2022.
Ray Harris, When ghosts move in, 2022. Thom Buchanan, Paralysis by analysis, 2022. Anna Horne, #1 Purple Haze, 2022.
Ray Harris, When ghosts move in, (interior) 2022.
Sasha Grbich, Bat Alphabet 40°, 2022. Lara Tilbrook, Stop, 2022. Ray Harris, When ghosts move in, 2022. Henry Jock Walker, 12/3=4, 2022. Anna Horne, #2 The Fog, 2022; #1 Purple Haze, 2022.
Thom Buchanan, Paralysis by analysis, 2022. Anna Horne, #4 Stairs to Nowhere, 2022; #1 Purple Haze, 2022; #2 The Fog, 2022.
Anna Horne, #1 Purple Haze, 2022; #2 The Fog, 2022. #3 Walking with Ouroboros, 2022. #4 Stairs to Nowhere, 2022. Thom Buchanan, Paralysis by analysis, 2022.
Thom Buchanan, Paralysis by analysis, 2022.
Thom Buchanan, Paralysis by analysis, 2022.
Thom Buchanan, Paralysis by analysis, (detail) 2022.
Thom Buchanan, Paralysis by analysis, 2022.
Sasha Grbich, Bat Alphabet 40°, 2022. Ray Harris, When ghosts move in, 2022.
Sasha Grbich, Bat Alphabet 40°, 2022.
Will Nolan, Series of 7 portraits, 2022 (Cusp, In-between, Oscillate, Brink, Threshold, Becoming, Hover)
Sasha Grbich, Bat Alphabet 40°, 2022. Anna Horne, #2 The Fog, 2022; #1 Purple Haze, 2022; #3 Walking with Ouroboros, 2022. Henry Jock Walker, 12/3=4, 2022.
Thom Buchanan, Paralysis by analysis, (detail) 2022. Anna Horne, #2 The Fog, 2022; #3 Walking with Ouroboros.
Anna Horne, #4 Stairs to Nowhere, 2022. Thom Buchanan, Paralysis by analysis, 2022.
Anna Horne, #3 Walking with Ouroboros, 2022; #4 Stairs to Nowhere, 2022; #1 Purple Haze, 2022; #2 The Fog, 2022. Laura Wills, Community Tree Portrait, 2022. Darren Siwes, The New Aboriginal Lands of Australia: nineteen two eighteen thirty six, 2022; Terra Aboriginalis, 2022. Lara Tilbrook, Stop, 2022.
Darren Siwes, The New Aboriginal Lands of Australia: nineteen two eighteen thirty six, 2022; Terra Aboriginalis, 2022.
Darren Siwes, The New Aboriginal Lands of Australia: nineteen two eighteen thirty six: AIATSIS reference map, Terra Aboriginalis: reference text.
Ray Harris, When ghosts move in, 2022. Henry Jock Walker, 12/3=4, 2022.
Ray Harris, When ghosts move in, 2022. Thom Buchanan, Paralysis by analysis, (detail) 2022. Anna Horne, #4 Stairs to Nowhere, 2022. Laura Wills, Community Tree Portrait, 2022. Lara Tilbrook, Stop, 2022.
Sasha Grbich, Bat Alphabet 40° (detail), 2022.
Sasha Grbich, Bat Alphabet 40° (detail), 2022.
Deidre But-Husaim, The Between, 2022. Will Nolan (series of 7 portraits), 2022. Deidre But-Husaim, The Between, 2022.
Gus Clutterbuck, Sticks and Stones, 2021-22. Cynthia Schwertsik with Dave Laslett, Current Affairs Tableau Vivant, 2021/2022.
Tamara Baillie, The End of All Our Exploring (detail), 2022. Gus Clutterbuck, Sticks and Stones, 2021-22. Cynthia Schwertsik with Dave Laslett, Current Affairs Tableau Vivant, 2021/2022.
Cynthia Schwertsik with Dave Laslett, Current Affairs Tableau Vivant, 2021/2022.
Brad Darkson, Make Yourself Comfortable II, 2022.
Brad Darkson, Make Yourself Comfortable II, 2022.
Brad Darkson, Make Yourself Comfortable II, 2022.
Darren Siwes, The New Aboriginal Lands of Australia: nineteen two eighteen thirty six: AIATSIS reference map, Terra Aboriginalis: reference text.
Sasha Grbich, Bat Alphabet 40° (detail), 2022. Deidre But-Husaim, The Between, 2022. Will Nolan (series of 7 portraits), 2022. Deidre But-Husaim, The Between, 2022. Ray Harris, When ghosts move in, 2022. Henry Jock Walker, 12/3=4, 2022.
Performance Documentation
SCORCHED, Cynthia Schwerstik and Liz Butler.
SCORCHED is a drawing experiment with outdated paper for old technology. The paper is reactive to heat and lends itself to a different approach to the medium of drawing. When Cynthia was gifted a box of paper rolls for the faxmachine, she turned to her colleagues Renate Nisi and Liz Butler, in 2018 they staged BEST AFTER at Praxis Artspace, and this performance falls in line with their shared interests of mark making. The audience is invited to be creative with us.
Elyas Alavi and Noriko Tadano
Performance response to Neoteric exhibition in spoken word and improvising music.
Deborah Prior
Zoe Barry
Sasha’s Grbich’s Bat Alphabet 40° includes a sonic translation developed and recorded by cellist, composer and performance maker Zoë Barry. Zoë played her composition live with recoded voice by Goldie Palmer among the artwork at closing event.
